How One New Shonen Jump Manga Evolved Past Early Cancelation

Warning: This text contains spoilers for Fabricant 100 #1, a non-dance related manga series called “Manufacturer 100” by Daisuke Enoshima. In the story, Ashibi Yao comes from a family of exceptional individuals with a lifespan of over 100 years. However, their happiness was short-lived when the first Creators arrived. These Creators were created by a doctor obsessed with creating perfect humans. After he died, the Makers sought out and killed those whose bodies were superior to theirs to take over their bodies and fulfill their creator’s wishes.

When the Fabricants learned of Yao’s family, they rushed in and massacred everyone – except 14-year-old Ashibi because he had not yet shown physical superiority. The story follows Ashibi as he teams up with Maker 100 to hunt down and destroy the remaining 99 Makers – the last Builders the Doctor created before his death.

he helps him kill the remaining 99, the last Builder the Doctor created before his death.

Manufacturer 100 Tell the reader from the beginning how it will end

What is a revolution?

The opening of the text sets the tone for the rest of it, stating that the story will end with Ashibi and the 100 killing the remaining Builders, with Ashibi sacrificing himself to turn the 100 into one the ideal man, or both die. Ashibi kept a notebook in which he recorded Fabricant’s murders and how many were left until there was only one left. While the journey to number 99 will be filled with supporting performances and doubles, Enoshima has made it clear from the beginning that his manga will have a definitive ending.

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Ashibi’s Fabricant’s hit list is the roadmap to the end of the series

manufacturer's hit list

When it comes to new teen series, Fabricant 100 stands out for its radical departure from traditional stories. While most new series will try their best to connect with any potential audience, this manga takes a bold direction. It does not rely on famous manga stories or familiar plots to attract readers. Instead, it not only tells the viewer where the film will end, but also how that ending will play out.

This is a complete departure from the norm. Usually, when a famous or established manga artist creates a series, they have a large base of fans eager to see what they come up with next. Ishida Sui’s Tokyo Ghoul is a perfect example of this phenomenon – success with that series gave him a honeymoon where he could reveal his new manga.

However, lesser-known authors often have a harder time attracting an audience and maintaining interest in their work. They can resort to copying elements from more popular stories or creating engaging elements to keep readers coming back for more. But Fabricant 100 takes a different approach – from the beginning it announces that the main character’s death in issue 99 will trigger the final plot.

Some fans may compare this series to other manga like Gen Oosuka’s Dororon Enma-kun and wonder if this is just another gimmick. However, Enoshima was given the opportunity to write the stories he wanted without having to please public opinion. This gave him more creative freedom and allowed him some space from his editor’s demands.

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It remains to be seen whether Shonen Jump fans will enjoy Fabricant 100 to the end, but one thing is clear: by taking a bold direction from the start, Enoshima has set itself apart from the competition. other manga artists and create opportunities for their work to achieve success. Stand out in an overcrowded market.

In contrast to Jujutsu Kaisen’s complexity being its greatest strength, Fabricant 100’s boldness and originality may be what sets it apart from other manga in the genre. Only time will tell if this gamble will pay off for Enoshima and his team.

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