take me to church
“Take Me to Church” is the debut single from Irish singer-songwriter Hozier. It debuted on September 13, 2013, originally appearing on his self-titled EP and later serving as the opening track to his debut album, Hozier, released in 2014.
During the composition phase, Hozier faced challenges as an aspiring musician and wrote the song in the attic of his parents’ home in County Wicklow. The song’s lyrics are in a mid-tempo soul style and utilize religious terminology to depict romantic relationships amid the discrimination faced by religious institutions. After attracting attention, Rubyworks Records signed Hozier, and producer Rob Kirwan collaborated with him on the final record.
The accompanying music video premiered in September 2013 and was directed by Brendan Canty, Emmet O’Brien and Conal Thomson. Shot in black and white, the film depicts the romantic relationship between two men and the subsequent violent backlash they suffer due to homophobia.
After being posted on YouTube in September 2013, the video went viral, leading to Hozier signing record deals with Columbia Records in the US and Island Records in the UK. In 2014, the song gained huge popularity around the world, reaching number one on the charts in 12 countries and reaching the top ten in 21 other territories. It also won critical acclaim.
With the help of platforms such as Shazam and Spotify, “Take Me to Church” became a famous rock radio hit in the United States, topping the Hot Rock Songs chart for 23 consecutive weeks.
The feat tied Imagine Dragons’ “Radioactive” as the longest-running No. 1 hit in chart history at the time. Eventually, the song crossed over to the Billboard Hot 100 chart, reaching number two in December 2014. It was nominated for the Song of the Year category at the 57th Grammy Awards and was certified Diamond in the United States.
Hozier takes me to church
[Verse 1]
My lover is very funny
She was the giggle at the funeral
I know everyone’s objections
They should have worshiped her sooner
If heaven really could talk
She is the last true spokesperson
Every Sunday gets bleaker
fresh poison every week
“We are born sick”
you heard them say that
My church doesn’t offer absolutes
She told me, “Worship in the bedroom.”
The only heaven I will be sent to
It’s when I’m alone with you
I was born sick but I love it
Told me to be good
[Pre-Chorus]
Ahhhhh, amen, amen, amen
chorus]
take me to church
I’ll worship your temple of lies like a dog
I’ll tell you my sins and you can sharpen your knife
Give me the immortal death
Oh God, let me give you my life
take me to church
I’ll worship your temple of lies like a dog
I’ll tell you my sins and you can sharpen your knife
Give me the immortal death
Oh God, let me give you my life
Did you know there’s a tunnel under Ocean Drive?
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Lana Del Rey
[Verse 2]
If I were a heathen from the good times
My love is sunshine
Let the goddess always stand by my side
she asked for sacrifice
Drain the whole sea
get something shiny
The main dish is a bit meaty
This is a beautiful looking high horse
What did you get in the stable?
We have many hungry faithful
It looks very tasty
looks like a lot
it’s a hungry job
[Chorus]
take me to church
I’ll worship your temple of lies like a dog
I’ll tell you my sins so you can sharpen your sword
give me my immortal death
Oh God, let me give you my life
take me to church
I’ll worship your temple of lies like a dog
I’ll tell you my sins so you can sharpen your sword
give me my immortal death
Oh God, let me give you my life
[Bridge]
The ceremony begins without a host or king
There is no innocence sweeter than our tender sin
In the madness and soil of that sad earthly scene
Only in this way am I human
Only in this way can I be clean
[Pre-Chorus]
Oh, oh, amen, amen, amen
[Chorus]
take me to church
I’ll worship your temple of lies like a dog
I’ll tell you my sins and you can sharpen your knife
Give me the immortal death
Oh God, let me give you my life
take me to church
I’ll worship your temple of lies like a dog
I’ll tell you my sins and you can sharpen your knife
Give me the immortal death
Oh God, let me give you my life
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Hozier takes me to church
Hozier
Andrew John Hozier-Byrne, better known by his professional name Hozier, was an accomplished Irish musician, singer and lyricist. His musical style primarily incorporates elements of folk, soul, and blues, often exploring profound religious and literary themes. Hozier gained global recognition with the release of his debut single “Take Me to Church,” which was certified multi-platinum in multiple countries.
Hailing from County Wicklow, Ireland, Hozier made his mark on the music industry in 2013 with the release of his debut EP, which included the hit song “Take Me to Church.” The song became a hit on American rock radio stations and reached an impressive number two on the prestigious Billboard Hot 100 chart.
Following this breakthrough, Hozier released his self-titled debut studio album in September 2014 to critical acclaim. The album received a remarkable 6× Platinum certification in Ireland and has achieved multi-Platinum status in multiple countries.
Continuing his musical journey, Hozier released an EP titled “Nina Cried Power” in September 2018, which featured the influential title track and soared to the top of the Billboard Adult Alternative Songs chart.
This release solidified Hozier’s status as a prominent figure in the music industry. In March 2019, his highly anticipated second album Wasteland, Baby! impressively reached number one on both the Irish Albums Chart and the prestigious Billboard 200 chart. The album’s success continued to soar and it was certified gold in the United States, further cementing Hozier’s artistic prowess.
Throughout his career, Hozier has mesmerized audiences with his soulful vocals, thought-provoking lyrics and boundary-pushing musical artistry. His unique blend of genres and profound storytelling have resonated with audiences around the world, earning him a loyal fan base and critical acclaim.
As Hozier’s musical journey evolves, fans eagerly await his future endeavors, eagerly awaiting the release of new music and eagerly embracing the emotional depth and sonic richness that are synonymous with his name. With undeniable talent and unwavering dedication to his craft, Hozier continues to captivate audiences and cement his status as a respected musician and songwriter in the international music community.
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What does Hozier’s “Take Me to Church” mean?
The work consists of two distinct parts: a description of Hozier’s deep admiration for his female partners and a scathing criticism of organized religion. Hozier begins by singing about an imaginary girlfriend who possesses unconventional characteristics, such as her ability to find humor even in somber situations such as a funeral. He acknowledged the disapproval they faced from society but regretted not cherishing her sooner. Hozier is fascinated by this mysterious woman, whoever she is.
In the following verses, he asserts that if divine entities were to communicate, his lover would serve as the true spokesperson. Hozier believed that if a higher power existed, it would express itself through this woman. By contrast, he viewed the church as a desolate place, spewing vile words at attendees, declaring them inherently sinful and tainted. Hozier viewed his girlfriend as superior to the church establishment, finding her a more fulfilling source of insight into life’s purpose.
In the next verse, Hozier goes on to sing that his lover invites him to experience a spiritual connection in the privacy of their bedroom, suggesting that when they are together, he reaches a transcendent state akin to heaven. The song’s central theme emerges: Hozier feels a closer connection to divinity, the concept of the “good life,” or righteous living through the act of lovemaking rather than strict adherence to established religious dogma.
The Chorus is a direct and satirical attack on legalistic churches, or any religious institution that instills shame in its congregants. Hozier crooned, “Take me to church/I’ll worship your temple of lies like a dog/I’ll tell you my sins and you can sharpen your knives.” He emphasized the church’s tendency to belittle and condemn individuals for straying from their Behavior that sets standards.
Hozier further reinforced his belief that regardless of a partner’s gender (as his interviews indicate), acts of love are more important than observance of religious traditions. He portrayed himself as a hedonistic zealot who worshiped his lover as if she were a god or the incarnation of sunlight.
Drawing on pagan imagery, Hozier suggests that his lover demands an act of sacrifice and uses suggestive language such as “shining things,” “draining the entire ocean,” and “meat on the main course” to suggest sexual intercourse.
At the end of the song, he reiterates his central thesis: true humanity and purity are only achieved in the messiness and imperfection of earthly experience, which the Church considers sinful. Hozier claims that what the church considers an “earthly scene” — sexual intimacy outside of heterosexual marriage — he sees as a path to deep fulfillment and the pursuit of innocence.
In a final juxtaposition, he contrasts the love he describes with his view of the church, repeating the refrain twice to emphasize the stark contrast he perceives.Overall, Hozier’s songs explore the complexities of love, sexuality, and the limitations imposed by religious institutions, offering thought-provoking perspectives on personal fulfillment
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