Metro Last Light Wiki
In a most dignified and formal manner, we present an exposition of the esteemed opus titled “Metro: Last Light,” a sequel to the renowned “Metro 2033,” which adheres to a similar gameplay structure. The narrative follows the protagonist, Artyom, as he embarks on a perilous odyssey across the Post-Apocalyptic Metro System and the irradiated surface of post-apocalyptic Moscow, seeking to salvage what remains of humanity in the aftermath of World War III. Within this hostile milieu, the player must skillfully guide Artyom, forging alliances, confronting dangerous mutants, engaging in firefights with rival factions, and navigating intricate stealth missions that hinge on preserving concealment for survival.
In continuation of the events set forth in Metro 2033, “Metro: Last Light” unfurls a tale sculpted under the guidance of Dmitry Glukhovsky, intricately woven by the artisans at 4A Games. The narrative commences from the canonical conclusion of the antecedent installment, wherein Artyom vanquished the enigmatic and menacing Dark Ones, thereby paving the way for a new chapter in his journey. Allies, including Khan and the valiant Rangers, converge once again, uniting in their quest to protect D6 from a host of adversaries, including the Fourth Reich, communists, and bandits. This remarkable sequel introduces a rich tapestry of new weapons, such as the bolt-action rifle, a single-shot pistol, and a hand-powered chain gun, further complemented by the unveiling of novel locations to explore.
The momentous unveiling of “Metro: Last Light” transpired on May 14th, 2013, graceously gracing the realms of Xbox 360, PC through Steam, and, distinct from its predecessor, the PS3. Although initially slated to embrace the forthcoming Nintendo console, the Wii-U, as announced during E3 2011, fate decreed otherwise, as confirmed at E3 2012 that the Wii-U shall remain unacquainted with the marvels of “Metro: Last Light.”
Situated one year beyond the events of Metro 2033, the game commences from the juncture where Artyom opted to invoke a missile strike upon the Dark Ones. Consequently, the Rangers have claimed dominion over the D6 military facility, with Artyom ensconced as an esteemed member of their ranks. The itinerant sage, Khan, ventures to D6, unveiling news of a solitary Dark One that survived the cataclysmic onslaught. Khan, perceiving the enigmatic creature as a harbinger of humanity’s redemption, endeavors to establish concord with it, while Colonel Miller, the illustrious leader of the Rangers, harbors reservations due to its potential menace. This fissure in perception compels Miller to dispatch Artyom on a perilous mission to the surface, with the objective of neutralizing the last remaining Dark One. In this daring endeavor, Artyom is accompanied by Anna, Miller’s sharp-witted daughter and the preeminent sniper among the Rangers.
As the saga unfolds, Artyom encounters the elusive Dark One, unearthing a revelation of profound import – it assumes the guise of a mere child. In a cruel twist of fate, both Artyom and the child fall into the clutches of the Nazi Reich’s soldiers. In a twist of providence, Pavel Morozov, an amicable communist soldier from the Red Line, aids Artyom in his escape from the Reich’s clutches. Through the crucible of their shared trials, Artyom and Pavel develop an unlikely camaraderie, traversing the labyrinthine metro tunnels and the desolate surface in tandem. However, when they reach a Red Line settlement, Pavel’s true allegiance is laid bare, for he is revealed to be a high-ranking officer in the Red Line, thereby facilitating Artyom’s capture. Nevertheless, tenacity prevails, and as Artyom escapes captivity, he unearths a malevolent scheme orchestrated by the Red Line’s head of military intelligence, General Korbut, intent on seizing control of D6 and wielding a stolen bioweapon to obliterate all non-aligned factions within the Metro.
Through the benevolent intervention of Khan, Artyom successfully rescues the Dark One child. A sequence of revelatory flashbacks follows, enlightening Artyom to the Dark Ones’ prior role in preserving his life during his childhood. This newfound knowledge impels Artyom to shield the child from harm. As he endeavors to escort the Dark One back to Polis, Artyom confronts adversaries in the form of Lesnitsky and Pavel. The Dark One’s telepathic gifts grant Artyom insights into General Korbut’s nefarious plot, thereby galvanizing Artyom to make pivotal choices of forgiveness or retribution.
In due course, they reach Polis, the epicenter of the Metro, wherein a peace treaty convenes among Hansa, Red Line, and Reich. Employing his telepathic prowess, the Dark One compels the Red Line’s Chairman Moskvin to publicly confess his heinous crimes, even as the gathering conceals a nefarious stratagem orchestrated by General Korbut to assault D6. In the face of impending calamity, Artyom, Miller, Khan, and the stalwart Rangers prepare for a final stand against Korbut’s forces, even contemplating the detonation of D6. Nonetheless, the turning tide witnesses the unanticipated emergence of a well-armored train, a harbinger of doom that decimates the defenders’ ranks, leaving Artyom gravely injured and on the precipice of despair.
This climactic juncture offers two potential denouements. In the unfavorable ending, Artyom activates D6’s self-destruct mechanism, forestalling Korbut’s annihilation of humanity but incurring the loss of both the Rangers and the Red Army. A poignant epilogue reveals Anna, Artyom’s beloved, surviving with their child, recounting tales of her valiant husband’s adventures. In the felicitous denouement, the Dark One child intervenes, ushering in an assemblage of surviving Dark Ones, which rout Korbut’s army, thus negating the necessity for Artyom’s sacrifice. Grateful for the child’s aid, Artyom acknowledges the Dark One as humanity’s final beacon of hope.
Irrespective of the chosen path, the story concludes with the enigmatic Dark One child departing in the company of his surviving kin, affirming his pledge to return one day and assist in the reconstruction of a world teetering on the precipice of rebirth.
Metro Last Light Walkthrough
Chapter Name |
# of Notes |
# of Instruments |
|
Introduction |
0 |
2 |
|
Sparta |
1 |
0 |
|
Ashes |
1 |
0 |
|
Pavel |
1 |
0 |
|
Reich |
1 |
0 |
|
Separation |
2 |
0 |
|
Facility |
1 |
1 |
|
Torchlight |
2 |
0 |
|
Echoes |
2 |
0 |
|
Bolshoi |
2 |
4 |
|
Korbut |
0 |
0 |
|
Revolution |
4 |
3 |
|
Regina |
1 |
1 |
|
Bandits |
2 |
0 |
|
Dark Water |
1 |
0 |
|
Venice |
2 |
0 |
|
Sundown |
1 |
0 |
|
Nightfall |
1 |
0 |
|
Undercity |
0 |
1 |
|
Contagion |
1 |
3 |
|
Quarantine |
2 |
1 |
|
Khan |
1 |
0 |
|
The Chase |
1 |
0 |
|
The Crossing |
2 |
0 |
|
Bridge |
1 |
0 |
|
Depot |
1 |
0 |
|
The Dead City |
2 |
1 |
|
Red Square |
2 |
0 |
|
The Garden |
2 |
0 |
|
Polis |
1 |
0 |
|
D6 |
2 |
0 |
TRENDING
Metro Last Light Guide
On May 14th, 2013, “Metro Last Light” graced the gaming realm, released on PC, Xbox 360, and PlayStation 3 platforms. Developed by 4A Games and published by Deep Silver, this esteemed opus stands as a poignant testament to the post-apocalyptic universe it portrays.
Within this enthralling cosmos, the aftermath of a nuclear holocaust has left the earth scarred, morphing it into a desolate wasteland. Beneath the contaminated skies, Russian citizens seek refuge within subterranean “metro” stations, resembling thriving townships concealed from the harsh exterior. At the surface, a diverse array of individuals, including “Stalkers,” “Rangers,” ex-Red Army survivors, and Nazi Schutzstaffel, depend on re-breathers to endure the perilous atmosphere.
Amidst the trials of survival, the tenacious inhabitants must contend with an array of perilous foes, ranging from menacing mutants to enigmatic beings known as Demonae and other genetic aberrations. Little do they suspect that amidst the chaos, a nascent telepathic race of humanoids, Homo Novus, endeavors to forge a new world order, beyond the realm of homo sapiens.
As the journey unfolds, we find ourselves ensconced within a captivating narrative, commencing a year after the events of “Metro 2033,” aligning with the chronicles presented in the literary masterpiece, “Metro 2034.” This fateful juncture assumes that Artyom, the protagonist, embarked on the path known as the “Ranger Ending,” igniting a sequence of events that propel us into the heart of this mesmerizing realm.
What are the different factions in Metro Last Light
Within the intricate tapestry of Metro Last Light, a panoply of factions assumes an integral role in both the narrative and gameplay. These distinguished factions encompass:
The Reds: A contingent of communist soldiers, commanding dominion over several stations in the metro. Renowned for their unwavering discipline and unyielding treatment of adversaries.
The Fourth Reich:
An assembly of neo-Nazis, exerting control over several metro stations. Notorious for their ruthless methodologies and extreme ideological stances.
The Hanza:
A cadre of traders and merchants, reigning over various stations within the metro. Acclaimed for their opulence and sway, they often mediate disputes among other factions.
The Polis:
An assemblage of democratic soldiers, presiding over the central station in the metro. Distinguished for their unwavering dedication to justice and liberty, they frequently assume the mantle of peacekeeper amidst other factions.
The Watchmen:
A contingent of vigilant soldiers, entrusted with patrolling the metro and upholding order. Revered for their steadfast adherence to the law and their willingness to employ force in the preservation of order.
The Bandits:
A cohort of criminals and renegades, operating beyond the confines of the metro’s stations. Infamous for their merciless strategies and unflinching determination to survive.
Each faction bears its own unique attributes, harboring strengths and vulnerabilities. As virtuoso players embark upon their odyssey, they must adroitly navigate the intricate dynamics that bind these factions together, forging alliances and surmounting challenges to chart their path through the game.
Metro Last Light Gameplay
In a manner befitting the esteemed nature of the subject matter, it is with great reverence that we elucidate the nature of the opus entitled “Metro: Last Light,” a work of consummate artistry within the post-apocalyptic genre. This magnum opus, akin to its forerunner “Metro 2033,” stands as a first-person shooter video game, replete with stealth and survival horror elements, and graced with a narrative unfolding through the eyes of the protagonist, Artyom.
Within the dystopian realm of post-apocalyptic Moscow, the decaying metro system provides the cradle for this epic saga, although it intermittently ventures beyond its subterranean confines in pursuit of missions. Engaging in combat, the virtuoso player must confront both mutants and belligerent humans, skillfully navigating the tempestuous tide of adversity.
Remarkably, “Metro: Last Light” imbues its environs with an expansive grandeur, fostering a spirit of exploration through the provision of multiple paths to be charted. As the virtuoso players embark upon their odyssey, the expanse of freedom granted empowers them to employ diverse tactics in their encounters with adversaries. Such is the caliber of artistry on display that even the environment itself succumbs to the artist’s brush, with destructible objects crumpling under the percussive symphony of well-aimed projectiles.
As our protagonist, Artyom, undertakes his quest, he adorns his arsenal with a medley of firearms, some of corporeal creation, while others traverse the bounds of fiction. Moreover, in the ballet of combat, the mettle of Artyom finds expression through his lethal proficiency with melee weaponry. A master of tactics, Artyom wields a trifecta of weapon slots, unfettered by restrictive constraints on his selection.
The choreography of battle is further enhanced by the assortment of secondary weapons at Artyom’s disposal, among them, the balletic grace of throwing knives and the incendiary resonance of grenades. While the ravenous mutants opt for physical assault in their swarming numbers, the humans mimic the player’s repertoire of firearms. However, it behooves the player to recognize that alternate avenues beckon, as foes may be subdued or neutralized through clandestine means, thereby invoking the shadowed embrace of stealth.
In the aftermath of the apocalypse, the currency of ammunition emerges as a rare and indispensable resource. Within this maelstrom, the player’s resourcefulness in scavenging assumes paramount significance. Corpses and environments proffer the essential sustenance of spare ammunition and various accoutrements, each coveted with fervor.
Indeed, the prevailing scarcity of ammunition necessitates a judicious exercise of economy. The remnants of military-grade ammunition find an alternate existence as a form of currency in the interstices of the Metro. Prudent players may opt to expend these precious bullets in lieu of the standard variety, thus preserving a vital store of resources.
Within this somber and labyrinthine milieu, the game artfully captures the gloomy essence of subterranean tunnels. The specter of survival horror looms large, with paranormal phantasmagoria manifesting as shadowy apparitions, haunting hallucinations, and enigmatic sounds. The masterstroke of navigating this stygian terrain rests upon the player’s enlightened use of a flickering lighter and rechargeable flashlight.
Herein, verily, lies the crucible of the virtuoso’s prowess, for the game forsakes conventional maps or objective markers, summoning forth from within the player an intrepid spirit of exploration. The surface, meanwhile, unveils a more treacherous theater, where the elements conspire to sow deadly irradiation. Consequentially, the player dons the life-sustaining gas mask, shielding themselves from the toxic miasma of the outside world.
Regarded as an ephemeral elixir, the air filters for the gas mask become the eldritch nectar that wards off perdition. The passage of time and the dirt and blood bespeckling the mask’s visage heighten the narrative of desperation and endurance.
A veritable symphony of cues engages the virtuoso, eschewing a head-up display in favor of immersive auditory and visual cues that impart crucial information. The player becomes attuned to the ebb and flow of threats, as the metronome of the character’s wristwatch counts down the temporal dance of life and the gas mask’s filters.
Throughout this breathtaking odyssey, an ethereal undercurrent of morality pervades the choices offered to the player. Karma, that elusive echo of conscience, rewards virtue with benevolent outcomes and punishes transgressions with their inexorable consequences. Good deeds, noble and empathetic, grace the virtuous path, while ignoble acts of malice and avarice encumber the soul with the weight of malevolence.
Such is the symphonic crescendo of “Metro: Last Light,” wherein the player’s dexterity and discernment intertwine with the rich tapestry of storytelling, shaping the trajectory of the journey and culminating in a denouement tailored to the character’s moral bearing.
In essence, this monumental tour de force encapsulates a harmonious fusion of unparalleled gameplay mechanics, atmospheric splendor, and moral introspection. It stands as a testament to the ingenuity of its creators and an invitation to virtuosos of the gaming realm to partake in its awe-inspiring grandeur.
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