Oscar 2024
The 96th Academy Awards, scheduled to take place in 2024 and presented by the Academy of Motion Picture Arts and Sciences (AMPAS), is set to be a remarkable event celebrating the outstanding achievements in the film industry during 2023. This prestigious ceremony will be produced by the talented duo of Raj Kapoor and Katy Mullan, under the direction of Hamish Hamilton. The highly anticipated nominations were unveiled on January 23, 2024, setting the stage for an exciting evening ahead.
Leading the pack in terms of nominations is “Oppenheimer,” a cinematic masterpiece that secured an impressive 13 nominations. Following closely are “Poor Things” and “Killers of the Flower Moon,” both garnering significant recognition with 11 and 10 nominations, respectively. With this stellar lineup, the 96th Oscars promise to showcase the diverse and exceptional talent that contributed to the cinematic landscape in 2023. As film enthusiasts eagerly await the awards ceremony, the anticipation is palpable for the momentous night that will honor the best in the industry.
Under the skillful direction of Hamish Hamilton, the 96th Academy Awards are poised to deliver a captivating and memorable event. With Raj Kapoor and Katy Mullan at the helm of production, the ceremony is set to be a seamless blend of creativity and precision. As the film industry anxiously awaits the announcement of the winners, the nominations alone have sparked discussions and excitement, reflecting the incredible achievements of the past year in cinema. The 96th Oscars are not only a celebration of individual accomplishments but also a collective acknowledgment of the power of storytelling and the impact of film on our culture.
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Oscar Predictions 2024
Hollywood’s most anticipated event, the 96th Academy Awards, is just around the corner, promising an evening filled with excitement and celebration as the awards season comes to a close. With several categories presenting tight races and potential upsets, the stage is set for a thrilling Oscars night on March 10th at 7 p.m. ET. Let’s delve into the predictions for some of the major categories, from Best Picture to Best Original Song.
Best Picture: “Oppenheimer” Takes the Lead
As the frontrunner for the most coveted award of the night, “Oppenheimer” stands tall with a string of victories throughout the awards season, including Golden Globe, BAFTA, Critics’ Choice, Producers Guild, and Screen Actors Guild Awards. With its compelling narrative and stellar performances, it’s poised to clinch the Best Picture title, solidifying its dominance in the industry.
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Best Director: Christopher Nolan’s Triumph with “Oppenheimer”
Renowned filmmaker Christopher Nolan’s directorial prowess shines in “Oppenheimer,” earning him widespread acclaim and numerous accolades leading up to the Oscars. With wins at prestigious ceremonies like the Golden Globes, BAFTAs, Critics’ Choice, and Directors Guild of America Awards, Nolan is poised to claim his first Oscar for Best Director, showcasing his mastery in bringing historical epics to life.
Best Actor: Cillian Murphy’s Marathon Performance
In a closely contested race, Cillian Murphy emerges as the frontrunner for Best Actor with his captivating portrayal of J. Robert Oppenheimer in “Oppenheimer.” Despite stiff competition, Murphy’s standout performances at major award shows, including the BAFTAs and Screen Actors Guild Awards, position him as the favorite to clinch the coveted trophy, reaffirming his status as a powerhouse talent in the industry.
Best Actress: Lily Gladstone vs. Emma Stone
The battle for Best Actress intensifies between Lily Gladstone for her remarkable role in “Killers of the Flower Moon” and Emma Stone for her captivating performance in “Poor Things.” With both actresses securing wins at prominent ceremonies like the Golden Globes and Critics’ Choice Awards, the race remains neck-and-neck. However, trends favor Gladstone as she aims to secure her first Oscar triumph in a category known for honoring fresh talent.
Best Supporting Actor: Robert Downey Jr.’s Charismatic Turn
Robert Downey Jr.’s captivating portrayal of Lewis Strauss in “Oppenheimer” catapults him to the forefront of the Best Supporting Actor race. With wins at major ceremonies and his enduring popularity among audiences, Downey Jr. is poised to claim his first Oscar in a category brimming with talent and standout performances.
Best Supporting Actress: Da’Vine Joy Randolph’s Resonating Performance
Da’Vine Joy Randolph’s powerful portrayal of Mary in “The Holdovers” solidifies her position as the frontrunner for Best Supporting Actress. With a series of wins at prominent film critics’ associations and major award ceremonies, Randolph’s compelling performance resonates with audiences and critics alike, making her a formidable contender for the coveted Oscar trophy.
Best Original Screenplay: “Anatomy of a Fall” Steals the Spotlight
“Justine Triet’s compelling screenplay for “Anatomy of a Fall” emerges as the frontrunner for Best Original Screenplay, with its gripping narrative and critical acclaim propelling it to the forefront of the category. With wins at esteemed ceremonies like the Golden Globes and BAFTAs, the screenplay’s international appeal and linguistic versatility make it a standout contender for Oscar glory.
Best Adapted Screenplay: Cord Jefferson’s “American Fiction” vs. “Barbie”
In a competitive category, Cord Jefferson’s “American Fiction” emerges as a strong contender for Best Adapted Screenplay, garnering accolades from critics and major award ceremonies. However, the inclusion of “Barbie” as a potential dark horse adds an intriguing twist to the race, fueled by Greta Gerwig and Noah Baumbach’s screenplay’s unique treatment and the narrative surrounding its Oscar journey. As the category unfolds, viewers can expect a closely contested battle between these two compelling narratives.
Best International Feature: “The Zone of Interest” Leads the Pack
With its powerful portrayal of a Nazi family’s life in Auschwitz, “The Zone of Interest” emerges as the frontrunner for Best International Feature, earning widespread acclaim and multiple nominations. Jonathan Glazer’s visionary direction and the film’s poignant narrative resonate strongly with audiences and critics, positioning it as the film to beat in a category filled with exceptional international cinema.
Best Animated Feature: “Spider-Man: Across the Spider-Verse” Swings to Victory
Building on the success of its predecessor, “Spider-Man: Across the Spider-Verse” emerges as the frontrunner for Best Animated Feature, showcasing groundbreaking animation and a captivating storyline. While facing tough competition from acclaimed contenders like Studio Ghibli’s “The Boy and the Heron,” the widespread popularity and critical acclaim of the Spider-Man franchise position it as the likely winner in this category.
Best Original Song: Billie Eilish and Finneas O’Connell’s “What Was I Made For?”
Billie Eilish and Finneas O’Connell’s soulful ballad “What Was I Made For?” from “Barbie” emerges as the frontrunner for Best Original Song, capturing hearts with its exquisite melody and poignant lyrics. With Eilish’s unparalleled success and the song’s resonance with the film’s narrative, it’s poised to secure the Oscar, reaffirming its status as a standout achievement in cinematic music.
These predictions offer a glimpse into the anticipated outcomes of the major categories at the 96th Academy Awards, setting the stage for a thrilling night of celebration and recognition in the world of cinema.
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Oscar Nominations 2024
The below ar the nominees for Oscar 2024:-
Actor in a Leading Role
- Bradley Cooper for “Maestro”
- Colman Domingo for “Rustin”
- Paul Giamatti for “The Holdovers”
- Cillian Murphy for “Oppenheimer”
- Jeffrey Wright for “American Fiction”
Actor in a Supporting Role
- Sterling K. Brown for “American Fiction”
- Robert De Niro for “Killers of the Flower Moon”
- Robert Downey Jr. for “Oppenheimer”
- Ryan Gosling for “Barbie”
- Mark Ruffalo for “Poor Things”
Actress in a Leading Role
- Annette Bening for “Nyad”
- Lily Gladstone for “Killers of the Flower Moon”
- Sandra Hüller for “Anatomy of a Fall”
- Carey Mulligan for “Maestro”
- Emma Stone for “Poor Things”
Actress in a Supporting Role
- Emily Blunt for “Oppenheimer”
- Danielle Brooks for “The Color Purple”
- America Ferrera for “Barbie”
- Jodie Foster for “Nyad”
- Da’Vine Joy Randolph for “The Holdovers”
Animated Feature Film
- “The Boy and the Heron” (Hayao Miyazaki and Toshio Suzuki)
- “Elemental” (Peter Sohn and Denise Ream)
- “Nimona” (Nick Bruno, Troy Quane, Karen Ryan, and Julie Zackary)
- “Robot Dreams” (Pablo Berger, Ibon Cormenzana, Ignasi Estapé, and Sandra Tapia Díaz)
- “Spider-Man: Across the Spider-Verse” (Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller, and Amy Pascal)
Cinematography
- “El Conde” (Edward Lachman)
- “Killers of the Flower Moon” (Rodrigo Prieto)
- “Maestro” (Matthew Libatique)
- “Oppenheimer” (Hoyte van Hoytema)
- “Poor Things” (Robbie Ryan)
Costume Design
- “Barbie” (Jacqueline Durran)
- “Killers of the Flower Moon” (Jacqueline West)
- “Napoleon” (Janty Yates and Dave Crossman)
- “Oppenheimer” (Ellen Mirojnick)
- “Poor Things” (Holly Waddington)
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Directing
- “Anatomy of a Fall” (Justine Triet)
- “Killers of the Flower Moon” (Martin Scorsese)
- “Oppenheimer” (Christopher Nolan)
- “Poor Things” (Yorgos Lanthimos)
- “The Zone of Interest” (Jonathan Glazer)
Documentary Feature Film
- “Bobi Wine: The People’s President” (Moses Bwayo, Christopher Sharp, and John Battsek)
- “The Eternal Memory” (Maite Alberdi)
- “Four Daughters” (Kaouther Ben Hania and Nadim Cheikhrouha)
- “To Kill a Tiger” (Nisha Pahuja, Cornelia Principe, and David Oppenheim)
- “20 Days in Mariupol” (Mstyslav Chernov, Michelle Mizner, and Raney Aronson-Rath)
Documentary Short Film
- “The ABCs of Book Banning” (Sheila Nevins and Trish Adlesic)
- “The Barber of Little Rock” (John Hoffman and Christine Turner)
- “Island in Between” (S. Leo Chiang and Jean Tsien)
- “The Last Repair Shop” (Ben Proudfoot and Kris Bowers)
- “NǍI NAI & WÀI PÓ” (Sean Wang and Sam Davis)
Film Editing
- “Anatomy of a Fall” (Laurent Sénéchal)
- “The Holdovers” (Kevin Tent)
- “Killers of the Flower Moon” (Thelma Schoonmaker)
- “Oppenheimer” (Jennifer Lame)
- “Poor Things” (Yorgos Mavropsaridis)
International Feature Film
- “Io Capitano” (Italy)
- “Perfect Days” (Japan)
- “Society of the Snow” (Spain)
- “The Teachers’ Lounge” (Germany)
- “The Zone of Interest” (United Kingdom)
Makeup and Hairstyling
- “Golda” (Karen Hartley Thomas, Suzi Battersby, and Ashra Kelly-Blue)
- “Maestro” (Kazu Hiro, Kay Georgiou, and Lori McCoy-Bell)
- “Oppenheimer” (Luisa Abel)
- “Poor Things” (Nadia Stacey, Mark Coulier, and Josh Weston)
- “Society of the Snow” (Ana López-Puigcerver, David Martí, and Montse Ribé)
Music (Original Score)
- “American Fiction” (Laura Karpman)
- “Indiana Jones and the Dial of Destiny” (John Williams)
- “Killers of the Flower Moon” (Robbie Robertson)
- “Oppenheimer” (Ludwig Göransson)
- “Poor Things” (Jerskin Fendrix)
Music (Original Song)
- “The Fire Inside” from “Flamin’ Hot” (Music and Lyric by Diane Warren)
- “I’m Just Ken” from “Barbie” (Music and Lyric by Mark Ronson and Andrew Wyatt)
- “It Never Went Away” from “American Symphony” (Music and Lyric by Jon Batiste and Dan Wilson)
- “Wahzhazhe (A Song for My People)” from “Killers of the Flower Moon” (Music and Lyric by Scott George)
- “What Was I Made For?” from “Barbie” (Music and Lyric by Billie Eilish and Finneas O’Connell)
Best Picture
- “American Fiction” (Ben LeClair, Nikos Karamigios, Cord Jefferson, and Jermaine Johnson, Producers)
- “Anatomy of a Fall” (Marie-Ange Luciani and David Thion, Producers)
- “Barbie” (David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner, Producers)
- “The Holdovers” (Mark Johnson, Producer)
- “Killers of the Flower Moon” (Dan Friedkin, Bradley Thomas, Martin Scorsese, and Daniel Lupi, Producers)
- “Maestro” (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning, and Kristie Macosko Krieger, Producers)
- “Oppenheimer” (Emma Thomas, Charles Roven, and Christopher Nolan, Producers)
- “Past Lives” (David Hinojosa, Christine Vachon, and Pamela Koffler, Producers)
- “Poor Things” (Ed Guiney, Andrew Lowe, Yorgos Lanthimos, and Emma Stone, Producers)
- “The Zone of Interest” (James Wilson, Producer)
Production Design
- “Barbie” (Production Design: Sarah Greenwood; Set Decoration: Katie Spencer)
- “Killers of the Flower Moon” (Production Design: Jack Fisk; Set Decoration: Adam Willis)
- “Napoleon” (Production Design: Arthur Max; Set Decoration: Elli Griff)
- “Oppenheimer” (Production Design: Ruth De Jong; Set Decoration: Claire Kaufman)
- “Poor Things” (Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek)
Animated Short Film
- “Letter to a Pig” (Tal Kantor and Amit R. Gicelter)
- “Ninety-Five Senses” (Jerusha Hess and Jared Hess)
- “Our Uniform” (Yegane Moghaddam)
- “Pachyderme” (Stéphanie Clément and Marc Rius)
- “War Is Over! Inspired by the Music of John & Yoko” (Dave Mullins and Brad Booker)
Live Action Short Film
- “The After” (Misan Harriman and Nicky Bentham)
- “Invincible” (Vincent René-Lortie and Samuel Caron)
- “Knight of Fortune” (Lasse Lyskjær Noer and Christian Norlyk)
- “Red, White and Blue” (Nazrin Choudhury and Sara McFarlane)
- “The Wonderful Story of Henry Sugar” (Wes Anderson and Steven Rales)
Sound
- “The Creator” (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich, and Dean Zupancic)
- “Maestro” (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich, and Dean Zupancic)
- “Mission: Impossible – Dead Reckoning Part One” (Chris Munro, James H. Mather, Chris Burdon, and Mark Taylor)
- “Oppenheimer” (Willie Burton, Richard King, Gary A. Rizzo, and Kevin O’Connell)
- “The Zone of Interest” (Tarn Willers and Johnnie Burn)
Visual Effects
- “The Creator” (Jay Cooper, Ian Comley, Andrew Roberts, and Neil Corbould)
- “Godzilla Minus One” (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi, and Tatsuji Nojima)
- “Guardians of the Galaxy Vol. 3” (Stephane Ceretti, Alexis Wajsbrot, Guy Williams, and Theo Bialek)
- “Mission: Impossible – Dead Reckoning Part One” (Alex Wuttke, Simone Coco, Jeff Sutherland, and Neil Corbould)
- “Napoleon” (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco, and Neil Corbould)
Writing (Adapted Screenplay)
- “American Fiction” (Written for the screen by Cord Jefferson)
- “Barbie” (Written by Greta Gerwig & Noah Baumbach)
- “Oppenheimer” (Written for the screen by Christopher Nolan)
- “Poor Things” (Screenplay by Tony McNamara)
- “The Zone of Interest” (Written by Jonathan Glazer)
Writing (Original Screenplay)
- “Anatomy of a Fall” (Screenplay – Justine Triet and Arthur Harari)
- “The Holdovers” (Written by David Hemingson)
- “Maestro” (Written by Bradley Cooper & Josh Singer)
- “May December” (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
- “Past Lives” (Written by Celine Song)
Oscar 2024 Date and Venue
The 96th Academy Awards, set to unfold as the pinnacle of the 2024 awards season, are slated to grace the prestigious Dolby Theatre in Hollywood, Los Angeles, California. This cinematic celebration of excellence is scheduled to dazzle audiences and honor outstanding achievements in the film industry on the evening of March 10, 2024.
The iconic Dolby Theatre, renowned for hosting the Oscars in recent years, stands as a fitting backdrop for the glitz and glamour expected at this star-studded event. As Hollywood’s luminaries gather, the venue’s grandeur will undoubtedly enhance the magic and significance of the Oscars, marking another chapter in the history of cinematic achievement.
Who will Host Oscars 2024?
The host for the 96th Academy Awards in 2024 is set to be comedian Jimmy Kimmel, marking his fourth stint in this prestigious role. With previous hosting duties in 2017, 2018, and most recently in 2023, Kimmel brings his seasoned wit and charm to guide the audience through the glamorous evening.
His return to the Oscars stage suggests a continuation of the entertaining and humorous tone that has become synonymous with his hosting style. As the master of ceremonies, Jimmy Kimmel is expected to once again engage the audience and navigate the celebration of cinematic excellence at this highly anticipated event.
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What are the Best Movies for Oscars 2024?
The standout films dominating the nominations for the 96th Academy Awards in 2024 include the formidable “Oppenheimer,” leading the pack with a remarkable 13 Oscar nominations. Following closely is “Poor Things” with 11 nominations, showcasing its impressive recognition in multiple categories. “Killers of the Flower Moon” secures a strong presence with 10 nominations, further highlighting its impact and acclaim.
Additionally, the year’s box-office sensation, “Barbie,” secures its place among the best with a notable eight nods. These films collectively represent the cinematic excellence celebrated by the Academy, promising a competitive and captivating Oscars ceremony.
Where to Watch Oscar 2024?
The 96th Academy Awards ceremony in 2024 will be broadcast in the United States on the ABC network. Viewers can tune in to ABC to catch the live telecast of this prestigious event, witnessing the celebration of cinematic achievements and the presentation of coveted Oscars.
For international audiences, the broadcast details may vary, and it’s advisable to check local listings or streaming platforms that have secured rights to air the Oscars. The global audience can join in the excitement and glamour of the Oscars by accessing the broadcast through the designated channels or streaming services available in their respective regions.
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